Kadongo Kamu stars set for landmark July concert

In the wake of a simmering fallout with Eddy Kenzo, Kadongo Kamu artists are turning controversy into opportunity, one that could redefine their place in Uganda’s modern music story.

What began as frustration over Kenzo’s remarks suggesting the genre’s pioneers had little to show for their prime years has now sparked something far bigger: a historic concert set for July, bringing together generations of musicians under one roof.

At the center of it all are the genre’s towering figures Omulangira Ssegamwenge Minsusera, Lord Fred Ssebata, and Dr Fred Sebaale, names that have long defined the soul of Kadongo Kamu. Their reunion, backed by the Uganda Communications Commission, is shaping up to be more than just a concert.

According to UCC Executive Director Nyombi Thembo, the vision goes beyond nostalgia. It is about stitching together the past, present, and future of Ugandan music.

“We want a monumental event where every generation shares one stage,” Thembo said after meeting the artists. “This is about harmony within the industry and across eras.”

Thembo acknowledged the emotional weight carried by the veterans following what he described as disparaging remarks from a fellow artist. He admitted the comments struck a chord not just with the legends but with him personally.

He urged the artists to resist bitterness and instead focus on the bigger picture, preserving a legacy that has outlived trends, formats, and even generations of listeners.

That legacy, he noted, continues to prove its resilience in unexpected ways. Songs recorded decades ago are resurfacing on platforms like TikTok, finding new audiences, and even launching younger artists who sample or cover them.

He likened music to a relay race, one where the baton is constantly passed, but the race never truly ends. The veterans, he said, have already run their leg with distinction. Now, it’s about ensuring the next runners understand the weight of what they carry.

In a subtle critique of today’s fast-paced hit culture, Thembo contrasted timeless classics with what he described as fleeting pop trends.

“Some music today is like foam,” he said. “It rises fast, looks impressive, but disappears just as quickly.”